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B-Cell Non-Hodgkin Lymphoma: Targeting in on the Future (PDF file: 66 MB)
Celeste Bello, MD, MSPH, and Lubomir Sokol, MD, PhD
Hematopoietic Cell Transplantation for B-Cell Lymphoma: An Update (PDF file: 313 MB)
Ernesto Ayala, MD
Follicular Lymphoma: Current Management and Future Directions (PDF file: 528 MB)
Celeste Bello, MD, MSPH, Ling Zhang, MD, and Mojdeh Naghashpour, MD, PhD
Radioimmunotherapy for B-Cell Non-Hodgkin Lymphomas (PDF file: 258 MB)
Michael Tomblyn, MD, MS
||Diffuse Large B-Cell Lymphoma: Current Strategies and Future Directions (PDF file: 401 MB)
Jennifer L. Cultrera, MD, and Samir M. Dalia, MD
||Biological Prognostic Markers in Diffuse Large B-Cell Lymphoma (PDF file: 524 MB)
Anamarija M. Perry, MD, Zdravko Mitrovic, MD, and Wing C. Chan, MD
||Mantle Cell Lymphoma: A Clinically Heterogeneous Disease in Need of Tailored Approaches (PDF file: 266 MB)
Bijal D. Shah, MD, Peter Martin, MD, MS, and Eduardo M. Sotomayor, MD
||Primary Cutaneous B-Cell Lymphomas: Recent Advances in Diagnosis and Management (PDF file: 606 MB)
Lubomir Sokol, MD, PhD, Mojdeh Naghashpour, MD, PhD, and L. Frank Glass, MD
Pharmacy Report: Optimizing Premedications in the Prevention of Bendamustine Infusion-Related Reactions (PDF file: 258 MB)
Rebecca L. Tombleson, PharmD, Viet Ho, PharmD, Lubomir Sokol, MD, Javier Pinilla, MD, and Gene A. Wetzstein, PharmD
Ten Best Readings Relating to B-Cell Non-Hodgkin Lymphoma (PDF file: 70 MB)
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About the photography in this issue:
George Van Hook was raised in Pennsylvania, lived and worked as an artist in the Bay Area of California, then returned to the east coast to settle in Cambridge, New York, northeast of Albany. He attended Oberlin College and earned his B.A. in Art at Humboldt State University. Van Hook was featured in a cover article for American Artist in March 1989 and again in December 2001.
As a young artist, Van Hook was interested in the early 20th century California Impressionists, as well as with artists such as Thomas Eakins, John Singer Sargent, and Andrew Wyeth. An artist for nearly his entire life, Van Hook follows in the traditions of J. Alden Weir and William Merritt Chase with his integration of form, light, and color to create rich, textured landscapes. As a plein air painter, Van Hook always paints in nature, yet he intentionally chooses his locations based on the structures of the site.
The artwork featured in this issue has been provided courtesy of The Harrison Gallery in Massachusetts. More information about the artist and additional artwork is available at www.theharrisongallery.com.
Autumn Church. Oil on linen, 18″ × 14″.
Table of Contents:
Pasteurized. Oil on linen, 12″ × 16″.
Barns in Summer. Oil on linen, 22″ × 28″.
Flyfishing. Oil on linen, 18″ × 24″.
Stevens Farm Winter. Oil on linen, 16″ × 20″.
Calm Boats. Oil on linen, 12″ × 16″.
Coastal Harbor. Oil on linen, 16″ × 20″.
Rail Yard. Oil on linen, 12″ × 16″.